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At turns merry, scary, and melancholy, Steven Moffat's "Last Christmas" gets at the real heart of the holiday.

The shaky train of Season Eight goes spectacularly off the rails in the worst story Steven Moffat has ever written.

If you want us to apply fairy-tale logic to Doctor Who, the tale in question needs to be better than this shapeless trifle from Frank Cottrell-Boyce.

I can be as grumpy as the next critic, but seriously: anyone who can't love a Doctor Who episode like "Flatline" should get out of the Doctor Who-loving business.

On paper, Jamie Mathieson's debut has all the elements of a great episode, but this "Mummy" never quite comes to life.

Tough decisions, difficult confrontations, and painful emotional growth: sometimes, Doctor Who isn't meant to be easy.

"The Caretaker" is a relatively light episode of Doctor Who, but that doesn't mean there aren't important things happening: some of them kind of troubling.

"Time Heist" isn't bad, it just isn't much of anything: it's all surface, no substance, delivering nothing more or less than what was promised in the title.

Steven Moffat's stunning, exquisite "Listen" is an episode about nothing, and recognizing that nothing can be a very scary thing.

"That would be a rubbish idea," the Doctor says, and he might as well be talking about the entirety of Mark Gatiss's "Robot of Sherwood."

With an older star, a darker tone, and a slower pace, this is not your father's Doctor Who. (Or, more to the point, it is…)

Everything old is new again in Doctor Who, but the show seems overly worried about whether we'll go along with the changes.

Make no mistake, "The Time of the Doctor" is a mess: in fact, it's the mess Steven Moffat is trying to clean up after a three-year reconstruction project.

"The Day of the Doctor" is full of fan-service and tributes to both the old and new series, but at its core it is simply the next vital chapter in Doctor Who, one that fulfills what I have called "The Moffat Masterplan" and brings the past, present, and future of this show into glorious agreement.

"The Name of the Doctor" is not perfect, and it does not make up for an uneven and scattered season, but it's a return to form for Steven Moffat, and a welcome revisiting of the underlying themes that made his first two seasons so powerful and so resonant.

Every fan of DOCTOR WHO has his or her own opinion on the "worst episode ever." But ask me today and my answer might just be different from the one I'd have given you yesterday.

Somewhere within the wreckage of "Journey to the Center of the TARDIS" there was a great episode of DOCTOR WHO to be found, but—like the Doctor—what we find instead is a big old mess in desperate need of a do-over.

"Hide" is not just the best entry in Series 7 so far; it's also a perfect example of how classic Who can be updated for modern times.

If I find myself just reviewing an episode, it usually means something has gone terribly, terribly wrong. So here's my review of "Cold War."

Neil Cross's "The Rings of Akhaten" calls back to classic Who in wonderful ways, and stands as one of the best episodes of the season.

DOCTOR WHO returns with a disappointing entry from Steven Moffat, in which the Doctor and Clara meet-cute—for the third time.

The 2012 Christmas special gives us memory-erasing worm, a spiral staircase to the clouds, and—of course—the titual killer snowmen from outer space. But "The Snowmen" is a little more complicated than that, and thematically far richer.