The Unenthusiastic Critic's 2021 Horror Marathon continues with David Lynch's darkly disturbing debut feature.
It's podcaster versus pod-people as The Unenthusiastic Critic's 2021 Halloween Movie Marathon continues with Philip Kaufman's creepy conspiracy story of conformity as a communicable disease.
OTHER RECENT POSTS
Things get a little hairy as The Unenthusiastic Critic's 2021 Halloween Marathon gets underway with John Landis's comedy-horror hybrid.
On the 10th anniversary of Game of Thrones, we look back at the episode that started it all, and see how the thematic template for the series was there from the start.
On a new episode of the podcast, we witness a clash of the titans, as The Unenthusiastic Critic meets two timeless movie stars for the very first time.
In a belated new edition of the blog/newsletter, I share some thoughts on hitting the pandemic wall, as well as quick takes on It's a Sin, Allen v. Farrow, For All Mankind, Minari, Nomadland, and other stuff.
In which I offer quick takes on stuff I've been watching (including Judas and the Black Messiah, Saint Maud, and Clarice), and explain at some length why I won't be writing about Buffy the Vampire Slayer this year after all.
This week's blog/newsletter features some labored thoughts on the writing process, and quick takes on The Dig, Malcolm & Marie, The Little Things, I May Destroy You, and other things I've been watching.
The penultimate episode of Deadwood's first season examines selfishness, sacrifice, and the ongoing problem of shitheels.
We have met the enemy and he is me, as I use a MAGA conspiracy theory as an excuse to introduce Nakea to John Woo's preposterous action thriller.
In this week's edition of my blog/newsletter, I share some melancholy thoughts from the 11th month of lockdown, as well as quick takes on One Night in Miami and News of the World.
As a new social order is forming in Deadwood, a very funny episode explores issues of caste, transgression, and alienation.
Sometimes, The Unenthusiastic Critic just has to say "What the f——." So on this week's episode, we're watching Tom Cruise's breakout movie Risky Business (1983).
In this week's edition of my blog/newsletter, I'm offering quick takes on Promising Young Woman, Pretend It's a City, WandaVision, Locked Down, and a bunch of other stuff I was watching when I should have been writing.
New clothes, new pianos, new ventures, new relationships, new governments: On a relatively quiet episode, everyone in DEADWOOD is grappling with the possibility of change.
In this week's blog/newsletter, I share a few thoughts on the white supremacist attack on Washington D.C., as well as a few links to the thoughts of much smarter people than I.
After many years, I'm taking up my Deadwood reviews right where I left off, with an episode that asks whether this brutal place could possibly be a place where family can thrive.
This week's blog post/newsletter includes quick thoughts on Sylvie's Love, Doctor Who, and Dickinson, as well as some thoughts on the difference between making New Year's Resolutions and implementing them.
We're finishing our "Christmas-Adjacent" marathon with Daryl Duke's unjustly forgotten crime thriller.
In the first of a new weekly blog series (and ersatz newsletter), I discuss what I've been watching, and writing about, and thinking about, during 2020's "Holiday Taint."
The Unenthusiastic Critic watches the perfect movie for Christmas 2020: Alfonso Cuarón's dystopian (but strangely hopeful) nativity story.
In which—brazenly, and despite a poor track record at this sort of thing—I announce what I'm planning to review, and other changes coming in the new year.
My long neglected Independent Study in World Cinema resumes with Jean Renoir's unfailingly humane masterpiece.
The Unenthusiastic Critic is looking for the holiday spirit in Norman Jewison's Christmas-adjacent romantic comedy.
This #Noirvember, we're serving a cookie full of arsenic, as The Unenthusiastic Critic enjoys her first viewing of Alexander Mackendrick's cynical cinematic masterpiece.
In 1990, Kevin Costner's epic western was widely hailed as major progress in Hollywood's representation of indigenous people. But what will The Unenthusiastic Critic make of it 30 years later?