Godard said all you need for a movie is a girl and a gun, but did he ever really consider the cinematic possibilities of a sloth with a sword? The minds behind the horror-comedy Slotherhouse did, and we thank them for it.
As Golda Meir, Helen Mirren gives a showy but shallow impersonation, in a disappointing historical biopic more emotional than illuminating.
My choices for who will win, who should win, and who must not be allowed to win at the 96th Annual Academy Awards.
In which I look back on my preposterous (and predictably failed) attempt to write about every movie that opened this summer.
Denzel Washington eats, prays, loves, maims, mutilates, and murders in Anton Fuqua's The Equalizer 3 (2023), a dumb and dour action thriller that is both unpleasant to watch and bad for the world.
Thor is a crushing mediocrity, a passable but forgettable entry in the Mighty Marvel Movie Franchise.
I doubt anyone involved in the creation of Doctor Who would have predicted that the show would be thriving well into the new millennium, but—whether by accident or intention—there's no denying that they built this show to last.
It’s hard to think of a film that better explores the question of what it would mean to truly live a Christian life than Of Gods and Men. Whether you consider yourself a believer or not—and, for the record, I do not—the result is a profoundly beautiful and powerfully gripping drama about faith, conviction, and quiet, humble courage.
The best that can be said of director Jason Winer's 2011 remake of Arthur is that it's harmless. And it is harmless—in the same way, for example, that necrophilia is harmless.
Everything Inception gets wrong, director Duncan Jones' Source Code gets right. It is undoubtedly a smaller picture, both less impressive and less anxious to impress, but for me it's the better for it.
In my inaugural movie review, I ask: do you hate your children? Do you want them to be stupid? Do you want them to suffer? If the answer to all three questions is "No," your kids probably deserve better than this sugary turd of a film.
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