We sing of bodies eclectic on the sixth season premiere of Game of Thrones.
As the season ends with brutal examples of the Father's justice, we look to the Mother—and the mothers—to teach us all a kinder way.
What shall it profit a man if he gains the Iron Throne, but loses his soul?
Game of Thrones has always been about "us vs. them," but former enemies are finding common ground as the walls tumble down around them.
As snow descends on Westeros, the battle lines between ice and fire are becoming clearer.
Plot developments can be logical, realistic, and narratively justified, and still be a mistake.
What's an apology worth, when there's been so much pain and bloodshed? And which sins are truly unforgivable?
This week, as men fight back against progress, we think about the weapons women have at their disposal.
"It's only a name," the High Sparrow says—but names are important on Game of Thrones.
On Game of Thrones, people used to fear their governments. Now, governments are learning to fear their people.
The good lords are dead, and the rest are monsters. But in the new world order, individuals have the freedom to choose what kind of world they want to live in.
In the beginning, GAME OF THRONES seemed like a show about keeping the children safe. Now it's becoming a show about keeping safe from the children.
The concept of a "trial-by-combat" presupposes the intervention of a fair and just god. But what if the gods are all just vicious cunts?
We all have a vision of the world the way it should be. It's a place where we all grow up in happy families (who care for us as they should), and we all go on adventures (which work out just the way they're supposed to), and we all fall in love and live happily after (with the person who will love us back forever). It sounds like a nice place, that world.
Maybe character really is fate, as Heraclitus said. Maybe everyone gets exactly what they deserve—or what they think they deserve.