In a television landscape in which the best we can usually hope for is an awareness of gender bias and misogynistic attitudes, ORPHAN BLACK is addressing them head on.
Some messy plotting and problematic character choices adds up to a bit of a mid-season slump for ORPHAN BLACK.
The time has come to take a serious look at Tatiana Maslany's performance(s). Because DAMN she's good.
ORPHAN BLACK is a show that can move between genres with ease, and this week we plunge head-on into horror.
Perception is limited, understanding is always imperfect, and mingling one's life with the lives of others can have unforeseen and unfortunate consequences.
No one is just one thing, and—whatever we think we know—anyone can surprise us.
This week, I'm beginning ongoing coverage of Orphan Black's second season with a review of the season premiere.