Steven Moffat's "Extremis" inspired some thoughts on River Song, death, and the problem of endings in Doctor Who.
Ridley Scott gives up on the incomprehensible mythology of Prometheus, and sadly embraces the uninspired misery of another Alien retread.
"Doctor don't you call me, cause I can't go/ I owe my soul to the company store…" Workers of the world unite behind the Doctor in Peter Mathieson's "Oxygen."
Delivering nothing, saying nothing, and meaning nothing, Mike Bartlett's "Knock Knock" is a forgettable and regrettable hour of Scooby Who.
Some excellent character work elevates a fairly standard "monster-of-the-week" story.
New companion Bill learns what it means to travel with the Doctor—and proves her mettle—in a strong second episode.
It's a brand new season, a delightful new companion, and a welcome new beginning for Doctor Who.
Silly, soulless, and disappointingly executed, Life is an instantly forgettable B-movie dressed up—not very convincingly—to look like a serious production.
Thoughtful, powerful, and existentially bleak, Logan may be the film that finally expands our expectations of what a "superhero movie" can be.
The Unenthusiastic Critic—my reluctant wife—returns for her first viewing of Robert Aldrich's macabre camp classic.