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	Comments on: METROPOLIS (1927)	</title>
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	<link>https://unaffiliatedcritic.com/2013/02/metropolis-1927-independent-study-in-world-cinema/</link>
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		<title>
		By: Learn the Unique 32-Web page Program for Fritz Lang&#039;s Metropolis (1927) - intotunes.com		</title>
		<link>https://unaffiliatedcritic.com/2013/02/metropolis-1927-independent-study-in-world-cinema/#comment-26243</link>

		<dc:creator><![CDATA[Learn the Unique 32-Web page Program for Fritz Lang&#039;s Metropolis (1927) - intotunes.com]]></dc:creator>
		<pubDate>Mon, 16 Jun 2025 07:29:38 +0000</pubDate>
		<guid isPermaLink="false">https://unaffiliatedcritic.com/?p=12332#comment-26243</guid>

					<description><![CDATA[[&#8230;] cen­tu­ry Ger­many, most of the movie’s scenes seem “dis­turbing­ly pre­scient,” writes the Unaf­fil­i­at­ed Crit­ic, such because the imaginative and prescient of an enormous indus­tri­al machine as Moloch, by [&#8230;]]]></description>
			<content:encoded><![CDATA[<p>[&#8230;] cen­tu­ry Ger­many, most of the movie’s scenes seem “dis­turbing­ly pre­scient,” writes the Unaf­fil­i­at­ed Crit­ic, such because the imaginative and prescient of an enormous indus­tri­al machine as Moloch, by [&#8230;]</p>
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		<title>
		By: Read the original 32&#x2d;page program of Fritz Lang&#8217;s Metropolis (1927) &#x2d; vantagefeed.com		</title>
		<link>https://unaffiliatedcritic.com/2013/02/metropolis-1927-independent-study-in-world-cinema/#comment-26238</link>

		<dc:creator><![CDATA[Read the original 32&#x2d;page program of Fritz Lang&#8217;s Metropolis (1927) &#x2d; vantagefeed.com]]></dc:creator>
		<pubDate>Sun, 15 Jun 2025 09:43:24 +0000</pubDate>
		<guid isPermaLink="false">https://unaffiliatedcritic.com/?p=12332#comment-26238</guid>

					<description><![CDATA[[&#8230;] seen after subsequent events in Germany in the 20th century look &#8220;unsettled foresight.&#8221; I write unrelated critics&#8220;The vision of giant industrial machines such as Moloch, &#8220;a bald, inadequate human [&#8230;]]]></description>
			<content:encoded><![CDATA[<p>[&#8230;] seen after subsequent events in Germany in the 20th century look "unsettled foresight." I write unrelated critics"The vision of giant industrial machines such as Moloch, "a bald, inadequate human [&#8230;]</p>
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		<title>
		By: Read the Original 32-Page Program for Fritz Lang&#8217;s Metropolis (1927) &#8211; Skeptic Society Magazine		</title>
		<link>https://unaffiliatedcritic.com/2013/02/metropolis-1927-independent-study-in-world-cinema/#comment-26237</link>

		<dc:creator><![CDATA[Read the Original 32-Page Program for Fritz Lang&#8217;s Metropolis (1927) &#8211; Skeptic Society Magazine]]></dc:creator>
		<pubDate>Sun, 15 Jun 2025 06:00:18 +0000</pubDate>
		<guid isPermaLink="false">https://unaffiliatedcritic.com/?p=12332#comment-26237</guid>

					<description><![CDATA[[&#8230;] 20th cen­tu­ry Ger­many, many of the film’s scenes appear “dis­turbing­ly pre­scient,” writes the Unaf­fil­i­at­ed Crit­ic, such as the vision of a huge indus­tri­al machine as Moloch, in which “bald, under­fed humans [&#8230;]]]></description>
			<content:encoded><![CDATA[<p>[&#8230;] 20th cen­tu­ry Ger­many, many of the film’s scenes appear “dis­turbing­ly pre­scient,” writes the Unaf­fil­i­at­ed Crit­ic, such as the vision of a huge indus­tri­al machine as Moloch, in which “bald, under­fed humans [&#8230;]</p>
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		<title>
		By: Learn the Authentic 32-Web page Program for Fritz Lang&#8217;s Metropolis (1927) &#8211; nomadsavings.com		</title>
		<link>https://unaffiliatedcritic.com/2013/02/metropolis-1927-independent-study-in-world-cinema/#comment-26234</link>

		<dc:creator><![CDATA[Learn the Authentic 32-Web page Program for Fritz Lang&#8217;s Metropolis (1927) &#8211; nomadsavings.com]]></dc:creator>
		<pubDate>Thu, 12 Jun 2025 18:04:05 +0000</pubDate>
		<guid isPermaLink="false">https://unaffiliatedcritic.com/?p=12332#comment-26234</guid>

					<description><![CDATA[[&#8230;] cen­tu­ry Ger­many, lots of the movie’s scenes seem “dis­turbing­ly pre­scient,” writes the Unaf­fil­i­at­ed Crit­ic, such because the imaginative and prescient of an enormous indus­tri­al machine as Moloch, by [&#8230;]]]></description>
			<content:encoded><![CDATA[<p>[&#8230;] cen­tu­ry Ger­many, lots of the movie’s scenes seem “dis­turbing­ly pre­scient,” writes the Unaf­fil­i­at­ed Crit­ic, such because the imaginative and prescient of an enormous indus­tri­al machine as Moloch, by [&#8230;]</p>
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		<title>
		By: Read the original 32 -page program for the Metropolis of Fritz Lang (1927)		</title>
		<link>https://unaffiliatedcritic.com/2013/02/metropolis-1927-independent-study-in-world-cinema/#comment-26233</link>

		<dc:creator><![CDATA[Read the original 32 -page program for the Metropolis of Fritz Lang (1927)]]></dc:creator>
		<pubDate>Thu, 12 Jun 2025 12:40:13 +0000</pubDate>
		<guid isPermaLink="false">https://unaffiliatedcritic.com/?p=12332#comment-26233</guid>

					<description><![CDATA[[&#8230;] in 20th century Germany, many scenes from the film appear &#8220;disturbing premonitory&#8221;, writes the not affiliated criticLike the vision of an enormous industrial machine as Moloch, in which &#8220;bald and undernourished [&#8230;]]]></description>
			<content:encoded><![CDATA[<p>[&#8230;] in 20th century Germany, many scenes from the film appear "disturbing premonitory", writes the not affiliated criticLike the vision of an enormous industrial machine as Moloch, in which "bald and undernourished [&#8230;]</p>
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		<title>
		By: Read the Original 32-Page Program for Fritz Lang&#8217;s Metropolis (1927) &#8211; Your Source for Real-Time News		</title>
		<link>https://unaffiliatedcritic.com/2013/02/metropolis-1927-independent-study-in-world-cinema/#comment-26232</link>

		<dc:creator><![CDATA[Read the Original 32-Page Program for Fritz Lang&#8217;s Metropolis (1927) &#8211; Your Source for Real-Time News]]></dc:creator>
		<pubDate>Thu, 12 Jun 2025 11:43:52 +0000</pubDate>
		<guid isPermaLink="false">https://unaffiliatedcritic.com/?p=12332#comment-26232</guid>

					<description><![CDATA[[&#8230;] 20th cen­tu­ry Ger­many, many of the film’s scenes appear “dis­turbing­ly pre­scient,” writes the Unaf­fil­i­at­ed Crit­ic, such as the vision of a huge indus­tri­al machine as Moloch, in which “bald, under­fed humans [&#8230;]]]></description>
			<content:encoded><![CDATA[<p>[&#8230;] 20th cen­tu­ry Ger­many, many of the film’s scenes appear “dis­turbing­ly pre­scient,” writes the Unaf­fil­i­at­ed Crit­ic, such as the vision of a huge indus­tri­al machine as Moloch, in which “bald, under­fed humans [&#8230;]</p>
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		<title>
		By: tom		</title>
		<link>https://unaffiliatedcritic.com/2013/02/metropolis-1927-independent-study-in-world-cinema/#comment-18792</link>

		<dc:creator><![CDATA[tom]]></dc:creator>
		<pubDate>Mon, 15 Oct 2018 17:04:40 +0000</pubDate>
		<guid isPermaLink="false">https://unaffiliatedcritic.com/?p=12332#comment-18792</guid>

					<description><![CDATA[I&#039;m looking at Metropolis as part of my literature degree in a modernisms module. I just wanted to say how much I thoroughly enjoyed reading this review and it gave me much more pleasure than being conned into going to see the actual film by my lecturer. You&#039;ve not only added clarity to a murkily plotted film but also added great contextual points and bought a smile to my face and helped me write some brilliant answers to go throw at the lecturer in my seminar. Cheers.]]></description>
			<content:encoded><![CDATA[<p>I'm looking at Metropolis as part of my literature degree in a modernisms module. I just wanted to say how much I thoroughly enjoyed reading this review and it gave me much more pleasure than being conned into going to see the actual film by my lecturer. You've not only added clarity to a murkily plotted film but also added great contextual points and bought a smile to my face and helped me write some brilliant answers to go throw at the lecturer in my seminar. Cheers.</p>
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		<title>
		By: Read the Original 32-Page Program for Fritz Lang’s Metropolis (1927) - Online Classes		</title>
		<link>https://unaffiliatedcritic.com/2013/02/metropolis-1927-independent-study-in-world-cinema/#comment-18117</link>

		<dc:creator><![CDATA[Read the Original 32-Page Program for Fritz Lang’s Metropolis (1927) - Online Classes]]></dc:creator>
		<pubDate>Sat, 20 Aug 2016 18:22:03 +0000</pubDate>
		<guid isPermaLink="false">https://unaffiliatedcritic.com/?p=12332#comment-18117</guid>

					<description><![CDATA[[&#8230;] events in 20th century Germany, many of the film’s scenes appear “disturbingly prescient,” writes the Unaffiliated Critic, such as the vision of a huge industrial machine as Moloch, in which “bald, underfed humans are [&#8230;]]]></description>
			<content:encoded><![CDATA[<p>[&#8230;] events in 20th century Germany, many of the film’s scenes appear “disturbingly prescient,” writes the Unaffiliated Critic, such as the vision of a huge industrial machine as Moloch, in which “bald, underfed humans are [&#8230;]</p>
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		<title>
		By: The Novel Form of &#34;Metropolis&#34;: Review, Part 2 - Nyssa&#039;s Hobbit Hole		</title>
		<link>https://unaffiliatedcritic.com/2013/02/metropolis-1927-independent-study-in-world-cinema/#comment-18092</link>

		<dc:creator><![CDATA[The Novel Form of &#34;Metropolis&#34;: Review, Part 2 - Nyssa&#039;s Hobbit Hole]]></dc:creator>
		<pubDate>Thu, 16 Jun 2016 05:47:56 +0000</pubDate>
		<guid isPermaLink="false">https://unaffiliatedcritic.com/?p=12332#comment-18092</guid>

					<description><![CDATA[[&#8230;] The Unaffiliated Critic [&#8230;]]]></description>
			<content:encoded><![CDATA[<p>[&#8230;] The Unaffiliated Critic [&#8230;]</p>
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		<title>
		By: Fritz Lang&#8217;s Metropolis Restored with a Soundtrack Featuring Freddie Mercury, Adam Ant &#38; Pat Benatar&#160;&#124;&#160;Golden Gate Daily		</title>
		<link>https://unaffiliatedcritic.com/2013/02/metropolis-1927-independent-study-in-world-cinema/#comment-1550</link>

		<dc:creator><![CDATA[Fritz Lang&#8217;s Metropolis Restored with a Soundtrack Featuring Freddie Mercury, Adam Ant &#38; Pat Benatar&#160;&#124;&#160;Golden Gate Daily]]></dc:creator>
		<pubDate>Wed, 30 Jul 2014 07:12:13 +0000</pubDate>
		<guid isPermaLink="false">https://unaffiliatedcritic.com/?p=12332#comment-1550</guid>

					<description><![CDATA[[&#8230;] svelte version might be cheesy, but at least it&#8217;s fun. The great film critic Pauline Kael described Lang&#8217;s movie as &#8220;a wonderful, stupefying folly.&#8221; Moroder&#8217;s version is a [&#8230;]]]></description>
			<content:encoded><![CDATA[<p>[&#8230;] svelte version might be cheesy, but at least it&rsquo;s fun. The great film critic Pauline Kael described Lang&rsquo;s movie as &ldquo;a wonderful, stupefying folly.&rdquo; Moroder&rsquo;s version is a [&#8230;]</p>
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		<title>
		By: Fritz Lang’s Metropolis Restored with a Soundtrack Featuring Freddie Mercury, Adam Ant &#38; Pat Benatar - NWZ		</title>
		<link>https://unaffiliatedcritic.com/2013/02/metropolis-1927-independent-study-in-world-cinema/#comment-1533</link>

		<dc:creator><![CDATA[Fritz Lang’s Metropolis Restored with a Soundtrack Featuring Freddie Mercury, Adam Ant &#38; Pat Benatar - NWZ]]></dc:creator>
		<pubDate>Tue, 29 Jul 2014 08:06:40 +0000</pubDate>
		<guid isPermaLink="false">https://unaffiliatedcritic.com/?p=12332#comment-1533</guid>

					<description><![CDATA[[&#8230;] svelte version might be cheesy, but at least it&#8217;s fun. The great film critic Pauline Kael described Lang&#8217;s movie as “a wonderful, stupefying folly.” Moroder&#8217;s version is a folly on [&#8230;]]]></description>
			<content:encoded><![CDATA[<p>[&#8230;] svelte version might be cheesy, but at least it's fun. The great film critic Pauline Kael described Lang's movie as “a wonderful, stupefying folly.” Moroder's version is a folly on [&#8230;]</p>
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		<title>
		By: The Unaffiliated Critic		</title>
		<link>https://unaffiliatedcritic.com/2013/02/metropolis-1927-independent-study-in-world-cinema/#comment-658</link>

		<dc:creator><![CDATA[The Unaffiliated Critic]]></dc:creator>
		<pubDate>Sun, 10 Feb 2013 22:58:40 +0000</pubDate>
		<guid isPermaLink="false">https://unaffiliatedcritic.com/?p=12332#comment-658</guid>

					<description><![CDATA[In reply to &lt;a href=&quot;https://unaffiliatedcritic.com/2013/02/metropolis-1927-independent-study-in-world-cinema/#comment-655&quot;&gt;Dan&lt;/a&gt;.

There are a lot of problems with the machines: a machine that requires constant, high-stress interaction from a human to avoid exploding is probably not a good design. They&#039;re less &quot;machines&quot; and more like &quot;fiendish death traps.&quot;]]></description>
			<content:encoded><![CDATA[<p>In reply to <a href="https://unaffiliatedcritic.com/2013/02/metropolis-1927-independent-study-in-world-cinema/#comment-655">Dan</a>.</p>
<p>There are a lot of problems with the machines: a machine that requires constant, high-stress interaction from a human to avoid exploding is probably not a good design. They're less "machines" and more like "fiendish death traps."</p>
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		<title>
		By: Dan		</title>
		<link>https://unaffiliatedcritic.com/2013/02/metropolis-1927-independent-study-in-world-cinema/#comment-656</link>

		<dc:creator><![CDATA[Dan]]></dc:creator>
		<pubDate>Sat, 09 Feb 2013 16:09:08 +0000</pubDate>
		<guid isPermaLink="false">https://unaffiliatedcritic.com/?p=12332#comment-656</guid>

					<description><![CDATA[I forgot it was called...&quot;the heart machine.&quot;  I actually LIKE that sort of ridiculousness.]]></description>
			<content:encoded><![CDATA[<p>I forgot it was called&#8230;"the heart machine."  I actually LIKE that sort of ridiculousness.</p>
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		<title>
		By: Dan		</title>
		<link>https://unaffiliatedcritic.com/2013/02/metropolis-1927-independent-study-in-world-cinema/#comment-655</link>

		<dc:creator><![CDATA[Dan]]></dc:creator>
		<pubDate>Sat, 09 Feb 2013 15:30:57 +0000</pubDate>
		<guid isPermaLink="false">https://unaffiliatedcritic.com/?p=12332#comment-655</guid>

					<description><![CDATA[My vague sense of this movie has been that the visuals are EXTREMELY memorable, and that I don&#039;t remember much else.  There are A LOT of ergonomic problems with Freder&#039;s turn on the &quot;clock machine.&quot;]]></description>
			<content:encoded><![CDATA[<p>My vague sense of this movie has been that the visuals are EXTREMELY memorable, and that I don't remember much else.  There are A LOT of ergonomic problems with Freder's turn on the "clock machine."</p>
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