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	Comments on: BATTLESHIP POTEMKIN (1925)	</title>
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	<link>https://unaffiliatedcritic.com/2013/01/battleship-potemkin-1925-independent-study-in-world-cinema/</link>
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		<title>
		By: 如何增加網站銷售業績？擅用心理效應！ &#8211; RWD響應式網頁設計的專家		</title>
		<link>https://unaffiliatedcritic.com/2013/01/battleship-potemkin-1925-independent-study-in-world-cinema/#comment-24369</link>

		<dc:creator><![CDATA[如何增加網站銷售業績？擅用心理效應！ &#8211; RWD響應式網頁設計的專家]]></dc:creator>
		<pubDate>Wed, 10 Apr 2024 03:12:40 +0000</pubDate>
		<guid isPermaLink="false">https://unaffiliatedcritic.com/?p=11994#comment-24369</guid>

					<description><![CDATA[[&#8230;] (⬆︎說明：即使是同一張照片，因與並排的第二張照片的內容產生不同的印象。) The Kuleshov Effect [&#8230;]]]></description>
			<content:encoded><![CDATA[<p>[&#8230;] (⬆︎說明：即使是同一張照片，因與並排的第二張照片的內容產生不同的印象。) The Kuleshov Effect [&#8230;]</p>
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			</item>
		<item>
		<title>
		By: karya ilmiah &#124; Blog Saya		</title>
		<link>https://unaffiliatedcritic.com/2013/01/battleship-potemkin-1925-independent-study-in-world-cinema/#comment-17491</link>

		<dc:creator><![CDATA[karya ilmiah &#124; Blog Saya]]></dc:creator>
		<pubDate>Wed, 28 Oct 2015 16:41:57 +0000</pubDate>
		<guid isPermaLink="false">https://unaffiliatedcritic.com/?p=11994#comment-17491</guid>

					<description><![CDATA[[&#8230;] https://unaffiliatedcritic.com/2013/01/battleship-potemkin-1925-independent-study-in-world-cinema/ [&#8230;]]]></description>
			<content:encoded><![CDATA[<p>[&#8230;] <a href="https://unaffiliatedcritic.com/2013/01/battleship-potemkin-1925-independent-study-in-world-cinema/" rel="ugc">https://unaffiliatedcritic.com/2013/01/battleship-potemkin-1925-independent-study-in-world-cinema/</a> [&#8230;]</p>
]]></content:encoded>
		
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		<title>
		By: BATTLESHIP POTEMKIN (1925) &#124; @mediatvfilm		</title>
		<link>https://unaffiliatedcritic.com/2013/01/battleship-potemkin-1925-independent-study-in-world-cinema/#comment-3101</link>

		<dc:creator><![CDATA[BATTLESHIP POTEMKIN (1925) &#124; @mediatvfilm]]></dc:creator>
		<pubDate>Tue, 07 Oct 2014 15:02:15 +0000</pubDate>
		<guid isPermaLink="false">https://unaffiliatedcritic.com/?p=11994#comment-3101</guid>

					<description><![CDATA[[&#8230;] https://unaffiliatedcritic.com/2013/01/battleship-potemkin-1925-independent-study-in-world-cinema/ [&#8230;]]]></description>
			<content:encoded><![CDATA[<p>[&#8230;] <a href="https://unaffiliatedcritic.com/2013/01/battleship-potemkin-1925-independent-study-in-world-cinema/" rel="ugc">https://unaffiliatedcritic.com/2013/01/battleship-potemkin-1925-independent-study-in-world-cinema/</a> [&#8230;]</p>
]]></content:encoded>
		
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		<item>
		<title>
		By: The Unaffiliated Critic		</title>
		<link>https://unaffiliatedcritic.com/2013/01/battleship-potemkin-1925-independent-study-in-world-cinema/#comment-659</link>

		<dc:creator><![CDATA[The Unaffiliated Critic]]></dc:creator>
		<pubDate>Sun, 10 Feb 2013 23:04:53 +0000</pubDate>
		<guid isPermaLink="false">https://unaffiliatedcritic.com/?p=11994#comment-659</guid>

					<description><![CDATA[DEPARTMENT OF CORRECTIONS: Beginning this past week, I&#039;ve decided to move this series to Fridays, so the schedule for the next few weeks actually looks like this:

2/8: Metropolis (1927), Fritz Lang
2/15: The Passion of Joan of Arc (1928), Carl Theodor Dryer
2/22: Man with a Movie Camera (1929), Dziga Vertov
3/1: M (1931), Fritz Lang
3/8: L’Atalante (1934), Jean Vigo
3/15: Grand Illusion (1937), Jean Renoir
3/22: Rules of the Game (1939), Jean Renoir
3/29: Rome, Open City (1945), Roberto Rossellini
4/5: Beauty and the Beast (1946), Jean Cocteau
4/12: Bicycle Thieves (1948), Vittorio de Sica

As always, I may run a little late in posting, but I&#039;m going to try to stick as closely as possible to this schedule.]]></description>
			<content:encoded><![CDATA[<p>DEPARTMENT OF CORRECTIONS: Beginning this past week, I've decided to move this series to Fridays, so the schedule for the next few weeks actually looks like this:</p>
<p>2/8: Metropolis (1927), Fritz Lang<br />
2/15: The Passion of Joan of Arc (1928), Carl Theodor Dryer<br />
2/22: Man with a Movie Camera (1929), Dziga Vertov<br />
3/1: M (1931), Fritz Lang<br />
3/8: L’Atalante (1934), Jean Vigo<br />
3/15: Grand Illusion (1937), Jean Renoir<br />
3/22: Rules of the Game (1939), Jean Renoir<br />
3/29: Rome, Open City (1945), Roberto Rossellini<br />
4/5: Beauty and the Beast (1946), Jean Cocteau<br />
4/12: Bicycle Thieves (1948), Vittorio de Sica</p>
<p>As always, I may run a little late in posting, but I'm going to try to stick as closely as possible to this schedule.</p>
]]></content:encoded>
		
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		<item>
		<title>
		By: Karl		</title>
		<link>https://unaffiliatedcritic.com/2013/01/battleship-potemkin-1925-independent-study-in-world-cinema/#comment-651</link>

		<dc:creator><![CDATA[Karl]]></dc:creator>
		<pubDate>Thu, 31 Jan 2013 07:40:43 +0000</pubDate>
		<guid isPermaLink="false">https://unaffiliatedcritic.com/?p=11994#comment-651</guid>

					<description><![CDATA[Thank you kindly. 

As a current film studies student, I must say I find your work to be both thorough and thought provoking. You also seem to be rather open minded towards your source material, which I find refreshing.]]></description>
			<content:encoded><![CDATA[<p>Thank you kindly. </p>
<p>As a current film studies student, I must say I find your work to be both thorough and thought provoking. You also seem to be rather open minded towards your source material, which I find refreshing.</p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		By: The Unaffiliated Critic		</title>
		<link>https://unaffiliatedcritic.com/2013/01/battleship-potemkin-1925-independent-study-in-world-cinema/#comment-650</link>

		<dc:creator><![CDATA[The Unaffiliated Critic]]></dc:creator>
		<pubDate>Thu, 31 Jan 2013 07:20:51 +0000</pubDate>
		<guid isPermaLink="false">https://unaffiliatedcritic.com/?p=11994#comment-650</guid>

					<description><![CDATA[In reply to &lt;a href=&quot;https://unaffiliatedcritic.com/2013/01/battleship-potemkin-1925-independent-study-in-world-cinema/#comment-649&quot;&gt;Karl&lt;/a&gt;.

So glad to hear you want to come along for the ride! I&#039;ve been trying to leave myself a &lt;em&gt;little&lt;/em&gt; wiggle room, in case I change my mind and decide to add or drop movies along the way. However, if you promise not to hold me to it, I&#039;ll tell you the plan for the next couple of months, and when—&lt;em&gt;roughly&lt;/em&gt;—I think the posts will go live. (I doubt the list will change, but I&#039;ll be shocked if all posts go up exactly when I think they will.) Most of these are available in many different versions, but I&#039;ll be sticking close to the Kino and Criterion collections. 

2/3: &lt;em&gt;Metropolis&lt;/em&gt; (1927), Fritz Lang
2/10: &lt;em&gt;The Passion of Joan of Arc&lt;/em&gt; (1928), Carl Theodor Dryer
2/17: &lt;em&gt;Man with a Movie Camera&lt;/em&gt; (1929), Dziga Vertov
2/24: &lt;em&gt;M&lt;/em&gt; (1931), Fritz Lang
3/3: &lt;em&gt;L’Atalante&lt;/em&gt; (1934), Jean Vigo
3/10: &lt;em&gt;Grande Illusion&lt;/em&gt; (1937), Jean Renoir
3/17: &lt;em&gt;Rules of the Game&lt;/em&gt; (1939), Jean Renoir
3/24: &lt;em&gt;Rome, Open City&lt;/em&gt; (1945), Roberto Rossellini
3/31: &lt;em&gt;Beauty and the Beast&lt;/em&gt; (1946), Jean Cocteau
4/7: &lt;em&gt;Bicycle Thieves&lt;/em&gt; (1948), Vittorio de Sica

My schedule will get a little harder around then—the new movie release schedule will pick up, and three TV shows I review will all be back in April—but I&#039;ll post the plan for spring and summer once we get a little closer. 

Hope this is helpful. I&#039;m looking forward to hearing your thoughts along the way, Karl.]]></description>
			<content:encoded><![CDATA[<p>In reply to <a href="https://unaffiliatedcritic.com/2013/01/battleship-potemkin-1925-independent-study-in-world-cinema/#comment-649">Karl</a>.</p>
<p>So glad to hear you want to come along for the ride! I've been trying to leave myself a <em>little</em> wiggle room, in case I change my mind and decide to add or drop movies along the way. However, if you promise not to hold me to it, I'll tell you the plan for the next couple of months, and when—<em>roughly</em>—I think the posts will go live. (I doubt the list will change, but I'll be shocked if all posts go up exactly when I think they will.) Most of these are available in many different versions, but I'll be sticking close to the Kino and Criterion collections. </p>
<p>2/3: <em>Metropolis</em> (1927), Fritz Lang<br />
2/10: <em>The Passion of Joan of Arc</em> (1928), Carl Theodor Dryer<br />
2/17: <em>Man with a Movie Camera</em> (1929), Dziga Vertov<br />
2/24: <em>M</em> (1931), Fritz Lang<br />
3/3: <em>L’Atalante</em> (1934), Jean Vigo<br />
3/10: <em>Grande Illusion</em> (1937), Jean Renoir<br />
3/17: <em>Rules of the Game</em> (1939), Jean Renoir<br />
3/24: <em>Rome, Open City</em> (1945), Roberto Rossellini<br />
3/31: <em>Beauty and the Beast</em> (1946), Jean Cocteau<br />
4/7: <em>Bicycle Thieves</em> (1948), Vittorio de Sica</p>
<p>My schedule will get a little harder around then—the new movie release schedule will pick up, and three TV shows I review will all be back in April—but I'll post the plan for spring and summer once we get a little closer. </p>
<p>Hope this is helpful. I'm looking forward to hearing your thoughts along the way, Karl.</p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		By: Karl		</title>
		<link>https://unaffiliatedcritic.com/2013/01/battleship-potemkin-1925-independent-study-in-world-cinema/#comment-649</link>

		<dc:creator><![CDATA[Karl]]></dc:creator>
		<pubDate>Thu, 31 Jan 2013 06:29:25 +0000</pubDate>
		<guid isPermaLink="false">https://unaffiliatedcritic.com/?p=11994#comment-649</guid>

					<description><![CDATA[Would it be possible for you to type out a syllabus of all the films you plan to watch throughout your Independent Studies so that I may purchase the necessary DVD&#039;s ahead of time to better follow a long?]]></description>
			<content:encoded><![CDATA[<p>Would it be possible for you to type out a syllabus of all the films you plan to watch throughout your Independent Studies so that I may purchase the necessary DVD's ahead of time to better follow a long?</p>
]]></content:encoded>
		
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