Thank you for it. It has enriched my life.

Year later, after watching the tragedy that DW has become, I hope Whovians realize just how special Davies and Moffatt and

I've never stopped liking River Song.

Ah, you're looking for the "review" part of my review: fair enough.

I thought it was easily the best episode of the season so far, though I fully admit that when the emotional content works (as I think it did here), I am willing—even eager—to overlook some glaring plot holes and implausibilities. (This is one reason I didn't feel like writing my standard analysis this week. Did the angel's scheme, the time-travel rules, or the surprisingly perambulatory Statue of Liberty make any sense to me? No, not at all—but in an emotionally rich and narratively exciting episode, those things don't bother me so much.)

Moffat's script was actually the weakest element—though still Moffat, and still better than most everyone else's—while the performances and direction carried the day. (Director Nick Hurran is 4 for 4 in my opinion, and should be put on permanent retainer.)

I appreciated making River Song likable again—I enjoy the more mature River seen here, closer to her "Silence in the Library" persona—and I very much appreciated the effort to make the angels scary again. (Thank GOD we no longer see them move: they clearly know that was a mistake.)

I liked that this was Amy and Rory's episode, from start to finish: the Doctor was fairly useless, which felt appropriate for the Ponds' swan song. And the final grace note of returning to little Amelia Pond, as I hope I indicated above, was just beautiful: structurally clever and thematically perfect.

So…I liked it. Does that answer your question?