<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd"
xmlns:podcast="https://podcastindex.org/namespace/1.0"
xmlns:rawvoice="https://blubrry.com/developer/rawvoice-rss/"

	xmlns:georss="http://www.georss.org/georss"
	xmlns:geo="http://www.w3.org/2003/01/geo/wgs84_pos#"
	
	>
<channel>
	<title>
	Comments on: 2012 OSCAR PICKS &#038; PREDICTIONS	</title>
	<atom:link href="https://unaffiliatedcritic.com/2012/02/2011-oscar-picks-predictions/feed/" rel="self" type="application/rss+xml" />
	<link>https://unaffiliatedcritic.com/2012/02/2011-oscar-picks-predictions/</link>
	<description></description>
	<lastBuildDate>Sun, 31 Jan 2016 20:26:17 +0000</lastBuildDate>
	<sy:updatePeriod>
	hourly	</sy:updatePeriod>
	<sy:updateFrequency>
	1	</sy:updateFrequency>
	
	<item>
		<title>
		By: The Unaffiliated Critic		</title>
		<link>https://unaffiliatedcritic.com/2012/02/2011-oscar-picks-predictions/#comment-381</link>

		<dc:creator><![CDATA[The Unaffiliated Critic]]></dc:creator>
		<pubDate>Sun, 26 Feb 2012 17:58:38 +0000</pubDate>
		<guid isPermaLink="false">https://unaffiliatedcritic.com/?p=6887#comment-381</guid>

					<description><![CDATA[In reply to &lt;a href=&quot;https://unaffiliatedcritic.com/2012/02/2011-oscar-picks-predictions/#comment-380&quot;&gt;Alex_Rae&lt;/a&gt;.

Well said, Alex, and I totally agree: &lt;em&gt;Drive&lt;/em&gt; got screwed. And I didn&#039;t mean to be dismissive of the sound editing, which &lt;em&gt;was&lt;/em&gt;, as you say, excellent. (My non-glib understanding of the difference is that Sound Mixing is the overall sound-scape of the film, while Sound Editing is the actual creation of the sound effects. Maybe the visual equivalent is the Direction/Cinematography distinction?)

I also agree about the music: as much as Winding-Refn and Brooks were overlooked, so was Cliff Martinez for the best score I heard all year. (That was a movie where I &lt;em&gt;did&lt;/em&gt; notice the music, and the movie wouldn&#039;t have been the same without it.)]]></description>
			<content:encoded><![CDATA[<p>In reply to <a href="https://unaffiliatedcritic.com/2012/02/2011-oscar-picks-predictions/#comment-380">Alex_Rae</a>.</p>
<p>Well said, Alex, and I totally agree: <em>Drive</em> got screwed. And I didn't mean to be dismissive of the sound editing, which <em>was</em>, as you say, excellent. (My non-glib understanding of the difference is that Sound Mixing is the overall sound-scape of the film, while Sound Editing is the actual creation of the sound effects. Maybe the visual equivalent is the Direction/Cinematography distinction?)</p>
<p>I also agree about the music: as much as Winding-Refn and Brooks were overlooked, so was Cliff Martinez for the best score I heard all year. (That was a movie where I <em>did</em> notice the music, and the movie wouldn't have been the same without it.)</p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		By: Alex_Rae		</title>
		<link>https://unaffiliatedcritic.com/2012/02/2011-oscar-picks-predictions/#comment-380</link>

		<dc:creator><![CDATA[Alex_Rae]]></dc:creator>
		<pubDate>Sun, 26 Feb 2012 17:45:26 +0000</pubDate>
		<guid isPermaLink="false">https://unaffiliatedcritic.com/?p=6887#comment-380</guid>

					<description><![CDATA[I couldn&#039;t tell you the difference between sound mixing and sound editing to save my soul, but Drive had some great sound work, whatever it&#039;s called. The use of music within the movie both as an external soundtrack and as music the characters were listening to was excellent. I also remember being impressed with how they ratcheted up the sounds of violence, like that unholy crack when Standard gets shot, and when Irene slaps the Driver. For me their selected, almost exaggerated use of sound helped emphasize the extreme violence and added to the stylized direction.

Aaand I just wrote a paragraph on sound mixing, or whatever. Such is my sadness that Drive wasn&#039;t nominated for more.

As to the rest of them, I couldn&#039;t say. Best Picture and Best Actor are moot for me without the presence of Take Shelter.]]></description>
			<content:encoded><![CDATA[<p>I couldn't tell you the difference between sound mixing and sound editing to save my soul, but Drive had some great sound work, whatever it's called. The use of music within the movie both as an external soundtrack and as music the characters were listening to was excellent. I also remember being impressed with how they ratcheted up the sounds of violence, like that unholy crack when Standard gets shot, and when Irene slaps the Driver. For me their selected, almost exaggerated use of sound helped emphasize the extreme violence and added to the stylized direction.</p>
<p>Aaand I just wrote a paragraph on sound mixing, or whatever. Such is my sadness that Drive wasn't nominated for more.</p>
<p>As to the rest of them, I couldn't say. Best Picture and Best Actor are moot for me without the presence of Take Shelter.</p>
]]></content:encoded>
		
			</item>
	</channel>
</rss>
